Ideias Roubadas III is a work inspired by the proposal of the UPIC system, developed by Iannis Xenakis in collaboration with the Centre d'Etudes de Mathématique et Automatique Musicales (CEMAMu) in Paris.

Ideias Roubadas uses the Meta-Instrument idea. In other words, create an "instrument" using multiple instruments. It is based on the idea of transforming guitar (in my conception!) of the composer Arthur Kampela.

Eco I is an experimental project based on the Ph.D. research of Ricardo Thomasi. He proposes complex structures of feedback (listen to the piece on Youtube). In this piece, I am working with the same idea but using just Partial Tracking and Score Representation (no audio manipulation like Thomasi).

Ramyen is one project based in the Open Work of Humberto Eco. It uses aleatoric sieves of Iannis Xenakis to build set of pitches in the eletronic part.

The Estudo no. 2 was a piece written for an assignment, but I believe it expresses my interest in rhythmic matters and ostinatos.

Clarinet by Mauricio Carneiro

The Estudo no. 4 was a piece written when I was starting to study the Spectralism, it has nothing about Spectralism yet. But it was an excelent work of

Trumpet by Jorge Scheffer

This piece is the first where I start to work with the concept of microtonal modulation using similar pitches, that in my Master's Degree I learn about it in Ben Johnston' Music.

Acoustic Guitar by Eric Moreira

Estudo Microtonal no. 4 is my first Mixed Media Piece. It uses the Max/MSP and Antescofo and microtonality theories by Harry Partch. It was a piece part of the microFolia concert in 2018.

Flute by Denusa Castellain

Ramyen in a open Piece (Eco), It uses the theory of sieves by Xenakis to create pitch 'enviroments' that are used randomically.

Violin by Rafael F. Semtchuk

Ideias Roubadas uses the Meta-Instrument idea. In other words, create an "instrument" using multiple instruments. It is based on the idea of transforming guitar (in my conception!) of the composer Arthur Kampela.